Born This Way, a second "full" (The Fame Monster I think it is postscript The Fame ) studio album by the acquis Lady Gaga is a collection of fourteen (the release of "exclusive deluxe 'till 17) horribly pop songs, which can not be denied a kuriozalnego charm. Papieżyca musical mainstream with increasing winds up a kind of stubbornness self-hype, more and more wants to be Madonna twenty-first century, according to the so-called. "Rule of immediacy," Zbyszko Melosik want to be her as quickly as possible. Can you be practicing pop diva Art Matrix-style parkour? Is the potential subject tudziez followers expect the queen in the form of Warhol in the diamond-heeled boots and laces of the serpentine, in the crystal, simulating a translucent bra magically-disco balls with rubies on the spot the nipples and kusej, meat skirt revealing thong with gronostajowego fur?
Lady Gaga, Born This Way , Interscope Records, 2011
Birth to the (correct) way (hard przetłumaczalny is the title, but probably should not be afraid to test free translation) opens innocently starting Marry the Night . Gaga sings tactfully and calmly: " [...] I will not give up on my life, I'm a warrior queen Live Passionately '{do not give up my life, I am living intensely warrior queen / passionate / strong} in the background we hear the church harmonica, giving almost fall for it ... (Suddenly) in less than forty seconds, the farce begins to expose the disco beat, and after reaching the next twenty (unless known to everyone) gags, vocal hiccups, synthesizers, and a number of manufacturing fireworks (filters, reverb, reverbs, distortion, et cetera). It might look easy, "subtly" surprising grip, but I find the second such number, in which ("musically" and not "textual"), the bride under the veil of night, getting away from her wedding gown, and underneath is perky kostiumik associated with peacock feathers silver thread, which suddenly begins to shine in the light of rainbow lights. I would add only that this piece (and not only that) it so. déjà entendu (feeling that we hear something that is already heard, the next song, you can feel it most intensely). title Born This Way, which thundered (and thunder continued) radio stations, most of the world and which is almost similar to the twin Madonna Express Yourself (but different, fresher, more vivid), Lady Gaga prove (or affirms the conviction) that is the master of parody of self-expression, Kowalke of fine (at least apparently), kitsch and pretendentką to have a hit song in its repertoire the LGBT community. Not previously used the epithet, without reason-figures; Born This Way a rainbow waterfall the size of Niagara. The devil is also in the text: "No matter [...] gay, straight, or bisexual, lesbian, transgendered life, I'm on the right track baby, I was born to survive {Homo, hetero or bi, it does not matter, Lesbians and transgendered life, I'm on the right track baby, born to survive}. In addition, Elton John said that Born This Way always replace I Will Survive Gloria Gaynor as a gay anthem. The next track ( Government Hooker), Gaga plays the false, it does (big) step backwards. Really I sincerely hoped that Lady skip the bar, which is quite nervous myself continually increases, it explodes in a hall of mirrors that will sustain this escalation somewhat neurotic desperation and selects one of three aesthetics (of course not in the strict sense): metal a la Marilyn Manson ( which would suggest the style of the clip to Born This Way and aesthetics of covers), pornoclash habit Vigilan Dirty Princess, or something as jazgotliwego like Mindless Self Indulgence. Maybe too early for such a bold revolution? Returning from the digression, Government Hooker boredom is a blow-groove clubs przeplatanka oily and dry pecan bits, synthetic techno-Trela, operatic and sacred zaśpiewu, gags repetition slightly retro styled, and the male inserts spoken (in the style of the likes dance'u German band Scooter), told sztampowym and totally banal text are part and parcel the specific aesthetics of kitsch, "the better" tracks Gaga ( I can be cool, I can be anything, I'll be your everything, Just touch me baby "{I can be a kick-ass, I can be anything, I'll be all as soon as you touch me}). Cell number four, single number two, that Judas it in my next favorite of Gaga's second album, the phenomenon is that it introduces a certain freshness to the aesthetics of the artist's glitter and simultaneously (more than) a typical lady-gagowy (300% of the Gaga in Gaga, you have to have guts to draw from his work, but you also have a head to eat its own tail "with style"). A novelty is a characteristic "loudspeakers" volleys verses verses, while releasing the mesh, the three dominant her most recognizable hit song ( Bad Romance ): wailing „ Oh-oh-oh-ohoo ”, „ Judas Juda-a-a, Judas Juda-a-a, Judas Juda-a-a ” korespondujące z „ Rah-rah-ah-ah-ah! Roma-Roma-ma-ah! ” oraz wplecenie słowo-onomatopei „ Ga-ga ”, ponadto rytm mostka też już gdzieś słyszeliśmy. Mankamentem tego utworu jest nużąca ckliwością większa część jego refrenu (zarówno od strony melodycznej i tekstowej): „ I'm just a Holy fool, oh baby he's so cruel / but I'm still in love with Judas, baby / I'm just a Holy fool, oh baby he's so cruel / But I'm still in love with Judas, baby ”. Następny track, sounding latynosko Americano is an obvious, lazy hybrid variation gagowego Alejandro and Do not Let Me Be Misunderstood (performed by American-French formation, Santa Esmeralda, a younger audience, this track can be known from the movie Kill Bill ) with the mass neuter, fine, "la-la-la-la-la-la", for me it's a waste of time and a similar ratio, but for other reasons, I have to Hair . Generally I do not mind that Lady Gaga is often łechcze your ego if you do it deftly, amusingly and puzzling. While listening to Hair I refer the impression that if it could, it would begin to lick her own body the passage in which the pubic mound (or - if you prefer - mound of Venus) loses his noble name. Scheiss is perhaps not unusual, however, after two extremely annoying and misshapen pieces, it becomes relatively pleasant blend of rave, techno and pop, which is again strongly associated with Madonna. A bit of a shame that Gaga with his inherent modesty, wanting to regale us niemiecczyzną does not refer, for example, to Kraftwerk or Rammstein. Bloody Mary is probably the first new quality to Born This Way, and also one of the most interesting songs on the album. Gaga singing (with Mary Magdalene, the first person) " [...] I'm ready for Their stones " {I'm prepared for their stones} is really convincing (reliable) and resembles strongly smoothed Pink and what is happening in the background, is a masterpiece that is difficult to describe because it is teeming with the most interesting and important details. This optimistic note, though it is only halfway, conclude with a description of my impressions about the new album, Lady Gaga, who - in sum - I think is good and the dancing ( Marry the Night, the title Born This Way , Scheiss ) and the Rosary ( Judas , Americano , Bloody Mary, Black Jesus † Fashion Amen) not one or to their followers or to antyfanów, with a bit of curiosity and skepticism, waiting for the next album in its achievements.
